Uh oh, she messed up and posted the same thing two days in a row!
No, here's the story: It was a long pose. I was painting on paper (vellum). I finished the one I posted yesterday and there was no time nor room in the studio for me to move to another vantage point so I painted another, slightly different painting. Same day, same model, same pose, same colors, different angle and crop. I know, my creativity is making your socks roll up and down.
My goals this day were simple: see whether I could even paint on vellum and see if I could do a convincing figure using only 4 colors. That's all. The colors I was using were all I used for 6 or 8 months after I painted with Scott Burdick: Ultramarine Blue deep, Transparent Oxide Brown, Cadmium Red and Cadmium Yellow pale. He uses Transparent Oxide Red but I find the brown to be more neutral and a bit cooler, which I want because it gives me greater control of temperature. He also uses a full pallete but did a demo in 4 and gave me a mental challenge.
The big deal with using the vellum was this: one stroke, that's all she wrote. There was absolutely no mercy. It was super absorbent and there was no "lifting" or moving, so it required care.
You may be wondering what the dots are for. Well, this being a sketch and my studio being small, I had thoughtlessly left this sitting very close to my easel and those are splash marks. I saw it when it happened and tried to get them off right away, but it was still vellum. It was still without mercy.
I hope you like this odd angel of Patricia and I do thank you for stopping by and for anything you have to say.
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