I'll tell you what happened. I was with Carolyn Anderson and she saw my block-in and said, "Oh you're going to have a heck of a time with that brown!" Well, just between you and me, I block in with brown most of the time. I like it. So I said, "What would you have used?" and she said, "Violet." I never want to disregard anything that a master would suggest, so I started violeting up the block-in. This was the process by which I learned that you can't use two color theory strategies at the same time and come out with anything lovely. However, I did really like the violet with the orange. It was just an all out fight to get all the colors to get along on one canvas.
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